Kaia Sand’s work always interests me: her inventories, interventions, recordings, dispatches, her mixing memos into songs, her soundings and measurements and exposés. These are lived poems, necessary and urgent and I learn from them. She is to be honored, read, shared, and given our undivided attention.
—Carolyn Forché, Author Blue Hour (HarperCollins, 2004) Editor, Against Forgetting: Twentieth-Century Poetry of Witness (W. W. Norton, 1993)