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Poetry & Art Portfolio
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- completed dropcloth poem, 2010
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- Detail from dropcloth poem. Yarn, used dropcloth, painter’s tape. 2010
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- I work on the final lines of the dropcloth poem during my weeklong residency in Field Work, SW 12th & Jefferson, Portland, November 2010
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- My mom and grandmother add stitches to the stiches. They taught me to embroider.
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- tiny arctic ice in its first iteration as a teabag poem for the Dusie Kollektiv, 2005.
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- tiny arctic ice in its first iteration as a teabag poem for the Dusie Kollektiv, 2005.
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- Remember to Wave map. I stitched the shape of the walk and typed and collaged details. 2008.
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- Scroll on which I composed Remember to Wave by stitching in new segments. The rods are bamboo from my yard. I used this scroll to perform Remember to Wave.
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- sandwich poem. I set this out frequently in the Old Town, Portland, neighborhood where I worked in a studio on my Happy Valley Project. Passersby added lines.
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- Handmade paper using the North American Free Trade Agreement (see the NAFTA project for more images)
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- Jessi paints a magicians hat on the cover of “A Tale of Magicians Who Puffed Up Money that Lost its Puff”
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- “A Cloak of Words,” 1998 (cotton pages run through laser printer and stitched using French seam)
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- detail from “A Cloak of Words,” 1998 (cotton pages run through laser printer and stitched using French seam)
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- “a shelter for some poems,” which I assembled as I read.
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- chapbook created for Dusie Kollektiv
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- book created out of conversations with Teresa Tamiyasu for final Remember to Wave walk
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- An early iteration of “Aquifer,” which appears in interval (edge books 2004)
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- artist reception for “Object Poems” curated by David Abel at 26 Gallery, Portland, Oregon, November 26, 2011
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- First poem of collaged lyric using the North American Free Trade Agreement as text
